Thursday, 16 March 2017

One Year One Outfit 2016


I haven't talked much about the totally local outfit I made during the whole of 2016, but I have been beavering away and it is finally finished!


Now I have to admit here, that 'totally local' is not exactly an accurate description for this outfit. The challenge was to create an outfit that was completely sourced from naturally-occurring materials within a 500km radius of my location. As discussed last year, there are not a lot of dressmaking materials available around Perth, Western Australia except wool. I stuck to the rules last year, but rebelled this year and used a couple of imported products. I decided that having a wearable* almost-totally-local outfit made more sense than a totally local outfit that sat, unworn, in the cupboard. 

*I use the term 'wearable' somewhat loosely here!


This year's outfit includes a dress, a bag and some shoes. The bag and shoes are felted from Merino and Corriedale wool from West Australian sheep and are 100% locally sourced apart from the soles of the shoes, which I made from jute string imported from China. 


The dress is nuno felted with silk hankies and wool on silk. I had really wanted to try nuno felting and had intended to use local wool and imported silk and dye it with local plants. However, it turned out that locally sourced and dyed materials were going to make life as a newbie nuno felter too complicated, so I bought everything from Treetops Colour Harmonies. Treetops is the most glorious shop and all their silk and wool is carefully hand dyed in colours inspired by West Australian bushland and beaches. If you're going to deviate from totally local, this is the place to do it!


My supplies were silk hankies, silk georgette fabric and superfine Merino wool tops in the colours 'Chinchilla'. I had never worked with silk hankies before and was quite surprised to find that they were not the nose-blowing variety, but squares of fine silk fibres, each stretched from a single silkworm cocoon. It felt very special to work with these little wonders of nature.


The dress was made during a three day nuno felting workshop with Nancy Ballesteros at the Feltwest studio. The course was absolutely brilliant and I learnt so many new techniques. Nuno felting a fitted garment with silk hankies is a long and involved process. It begins as a pattern that would fit a giant and is worked and washed and rubbed and rubbed and rubbed until finally it fits a real person. Despite having three full days to make this, in the last hour or so I was actually running back and forth from the sink to the table to the rubbing boards in a manner reminiscent of Project Runway or Masterchef!


My design for all three of my items was based on an abstract flower design I saw in the book '500 Felt Objects' by Nathalie Mornu, which was kindly lent to me by Carolyn of Handmade by Carolyn. I used the colours of the wool and silk hankies to vary the colours of the flowers and to highlight the edges and centres against the background. The flowers were placed close together at the neckline and bodice, for strength and modesty, and further apart towards the hemline. I am wearing a flesh-coloured slip under the dress.






The front and back of the dress were made separately and fitted during the felting process. Areas of the dress, such as the armholes, were shrunk with further felting so they were fitted and not gaping.




The dress was then sewn together with silk strips to create a decorative seam. The hem was hand rolled and stitched.



The bag is completely felted from local wool in white and brown and incorporates the same abstract flower design as the dress. I made the bag at another fabulous Feltwest course run by Sue Eslick. I attended the course with Sue from Fadanista, who is always great fun and has made a breathtaking totally local dress and accessories that you must see.



The bag was made in the round as one piece with a plastic 'resist' in the middle to stop the front and back felting together. You can see here that I went to considerable effort to dye some of my wool with locally sourced indigo. This is a bit of a sore point as the indigo nearly all washed out during the felting process!


An inordinate amount of rubbing and shaping followed before the bags were sufficiently felted and strong. Here Sue was laughing as my indigo dye ran out all over my shoes. Little did she know that my bag was watching her every move!


Encouraged by my newfound resist felting expertise (!), I attempted the shoes on my own! To make the template, I drew around my foot and measured the width at the widest point. This measurement, 9.6cm, was divided by three giving 3.2cm. I then added 3.2cm all around the foot drawing to allow for the wool shrinkage and foot shape. The left and right templates were made from thin packaging foam sheets covered with duct tape.


Rub a dub dub...


Once the felting was done, I cut a foothole in the top. I thought I'd made it in the right place, but I ended up having to patch the heel as it was too low.




The sole was made with a plaited strip of jute string that I placed on a template of my foot, sewed together and stitched to the shoe with local wool.




So there we are!


I have an outfit that is only partly local. However, every inch of it was planned and designed and made lovingly agonisingly by hand in a process that was exhilarating and difficult and immensely satisfying.


So, the big question now is will I wear it? Well, I can happily report that I have already done so! I wore the dress to a wonderful get together of the Perth Sewcialists late last year. The Sewcialists, as always, were very kind and complimentary of the dress and much patting of the fabric took place. I call that a win for One Year One Outfit!


Huge thanks must go to Nicki of This is Moonlight for conceiving this idea of nature and sustainability and facilitating the meeting of wonderful, like-minded people. She will be doing a round up of the participants soon and has made an exquisite hand woven coatigan. Thank you also to Carolyn, for the fun get togethers, for encouraging me to keep creating my outfit and for her (very kind) enthusiasm about my shoes! Her outfit is the most beautiful knitted dress and hat, dyed with local plants. You must see it. Thank you also to Sue for the laughs, the inspiration and being my partner in crime at the workshops. If you didn't click on her gorgeous doily dress earlier in the post, do it now. My outfit from last year can be found here.

Saturday, 11 March 2017

Ansa Butterfly Sleeve Dress - Named SS17 Playground Collection


The Ansa Butterfly Sleeve Dress was the second pattern I tested from the new Playground Collection by Named. This is a lovely design with and interesting front yoke and pleats to create soft shaping at the waist.

Ansa Butterfly Sleeve Dress - Named
The pattern also includes a top with the same yoke and sleeve design and a loose, flowing shape.


I made the dress from some very lightweight cotton that I think came from Potter Textiles. The dress isn't lined so this fabric is possibly the tiniest bit lightweight for the pattern. However, with the loose sleeves and gently fitted design, it's very comfortable and cool to wear in our hot weather. When making this I used 126cm of 140cm wide fabric (pattern states 135cm of 150cm wide).


I used navy bias binding to highlight the shaped seam above the bust and the neckline. 


The back closes with an invisible zip and fits really well thanks to the long darts.


The Ansa top has no zip and just pulls on over the head.


I chose white cotton Broderie Anglaise fabric and underlined all but the sleeves with white voile. I used white piping at the front and back yoke seams. For this I used 120cm of 140cm wide fabric (pattern states 135cm of 150cm wide).


I really like this top and have worn it quite a few times. It is perfect for looking a bit dressed up, but still casual and summery. I would like to make this from drapier fabric to see how it looks.


 I made no changes to the original patterns for the dress and top, other than adding piping to the back yoke seam of the top. I love both these patterns and they fit perfectly into my casual summer lifestyle.



Thursday, 2 March 2017

Named Maisa Denim Jacket - the Playground Collection


Look at this. A denim jacket! I absolutely love this jacket and it has been the most exciting thing I've made for some time. It was so much fun planning, sewing and watching it come together.


The Maisa Denim Jacket is from the SS17 collection by Named, which was released yesterday. This collection has some lovely pieces and I will be blogging, in the next few days, about two other patterns from this collection that I also tested.


The sample jacket from the collection was made from recycled jeans, which I considered using for my jacket. However, I had some remnant pieces of this dark denim from Remida and I decided to use those in the end. It is a medium-light weight denim with no stretch and was a perfect choice for a comfortable jacket.



I have made many Named patterns before and completely trust their quality and sizing, so I decided to do some Sashiko stitching on the back panel before sewing up the jacket. I found a tutorial online and got to it.


I drew the grid on my fabric with a chalk wheel pen and sewed two stitches per square for durability, following the plan in the tutorial. It was very satisfying watching the pattern emerge. I was sewing this around Christmas during the summer school holidays, so took it with me to a waterfront cafe and stitched while the children played in the water.


Once the Sashiko was finished I sewed the rest of the jacket. I lined the back panel with some cotton chambray to hide the knots from the Sashiko. The instructions are great for this pattern and produce a very neat inside for this unlined jacket.


I used rust-coloured thread for the topstitching and added little red bar tacks at the opening of the sleeve vents. The buttons are jeans buttons from Spotlight that are hammered into place.


This jacket is completely comfortable with no pulling at the shoulders when I stretch forward (a problem I have with some jackets). I have already worn it many times since I made it as it goes with everything. The proportions all seem spot on to me and I just love everything about it.


In the spirit of hand sewing, I'm wearing the jacket with my indigo dyed Alabama Chanin style StyleArc Tammy dress.

Here are a few more pictures:




 

Thank you to Named for the opportunity to test this pattern. I love everything about it and, as always, their pattern testing procedure was professional and lots of fun.

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