Not enough fabric for my pattern - what now??

Last year a new, and rather lovely, fabric shop opened up in Myaree, Perth. It is called Woven Stories Textiles and stocks a stunning array of ethically sourced hand woven, hand dyed and hand printed fabrics for sewing and quilting. Being a bit short of money of late I was very restrained and chose just 1 metre of one fabric - this indigo dyed, hand printed cotton.

As we were in the middle of summer, I was hoping to make a simple dress to wear on the hottest days. I needed a pattern that didn't use much fabric and decided on the Eucalypt Dress by Megan Nielsen. I can't remember the width of the indigo fabric, but it was just not quite wide enough to fit the pattern pieces on. Hmmm....

I hunted through my scrap drawers and my stash for a fabric that I could use as a contrasting panel and all I could find was a tiny amount of cotton that I had dyed with indigo a couple of years ago. The cotton had a pattern cut into the fabric and was a good match in colour and rustic-ness (!) for my main fabric. However, there was too little contrasting fabric to use as a panel, so I cut it into uneven rectangles and made a panel with offcuts of my main fabric. I hand stitched around each piece with embroidery thread as an extra little detail.

I had just enough to make contrasting bias binding for the neck and armholes and for a strip around the hem of the dress.

I decided to lengthen the dress slightly more than the original pattern and have a straight hemline.

So there we are - the print doesn't match down the centre due to fabric restrictions, the contrasting fabric is fraying where it was pre-cut and the dress is very rustic and imperfect - but I love it. I adore indigo-dyed fabric and this is so floaty and comfortable to wear. I'm so pleased I was able to think of a way to squeeze this lovely, simple pattern on to my special fabric.

Xerea Dress - Pauline Alice

A while back, a lovely sewing friend gave me a gift voucher for Tessuti Fabrics. One of the things I bought was this Italian designer, stretch denim, panel print called 'Water Wheels' (now sold out). It was $49 for the 1 metre panel, which is rather more than I usually splurge on fabric, so I just got the one panel with no idea of what I would make with it.

I eventually settled on an old favourite pattern - the Xerea Dress by Pauline Alice. When adding this link, I wasn't able to find the pattern in the online shop. I hope it is still available as it's a winner. I have made this pattern a couple of times before and I still wear the dresses a lot. I chose the View A shift dress, but left it sleeveless.

I had to think carefully about cutting this dress. I only had one metre of fabric and the bold print could not be ignored for matching purposes. The large size of the 'wheels' added another cutting challenge as they needed to be centred. In the end I cut front and back pieces with the skirt section slightly narrower than the pattern piece so I could fit them on the fabric with the wheels in the right place. The side panel and internal pocket pieces were cut from a very dark grey ponte. I just squeezed the yoke pieces on and I added black piping between the yoke and main dress pieces for interest. I hemmed the dress with black bias binding as it seemed to need a line of black to balance the colours.

I didn't get an exact print match at the sides, but it's acceptable and seriously, this fabric is so stunning who's going to be looking at the side seams except other sewing people?!

I adore the colours and print of this fabric and the stretch denim was perfect for this style of dress. I do realise I have a target on my stomach, but I give not one hoot.

I was so pleased with this that I wore it on Christmas Day and will certainly be wearing it much, much more.

The Utu skirt - Breaking the Pattern Book

Earlier this year I was a pattern tester for the new book, Breaking the Pattern, by Saara and Laura Huhta of Named Patterns. The book has now been launched and I was lucky enough to be sent a copy for my participation in the testing process!

 

The book is really lovely. It contains pattern sheets for 20 garments with ideas and inspiration for combining and customising patterns to create many more different looks. The presentation and photos are beautiful and the sewing instructions are clear with many diagrams. I definitely recommend this as one of the best sewing books I've seen.

One of the patterns I tested was the Utu skirt. This is a beautifully shaped, unlined wrap skirt with an attached belt and D-ring fastening at the side. The Utu pattern can also be made as a lined pinafore dress.

The Utu Skirt - Breaking the Pattern

The Utu Pinafore - Breaking the Pattern

I used a 100% cotton, mid-weight upholstery fabric with a blue and white print. The fairly sturdy fabric worked well for this pattern and the skirt sits and fits very nicely.

The belt continues around the back of the skirt through belt loops, which is a nice detail.

The skirt sits high on the waist and is a very flattering shape. The belt holds the skirt firmly over the tummy, which is good for smoothing over any rounded bits!

This skirt style would work well as a casual, work or evening garment. I'm looking forward to wearing mine a lot as the weather warms up.

The Perth Dress - Carolyn and Cassie

 

Way back at the beginning of the year, Carolyn asked for testers for her first pattern. I jumped at the chance. The Perth Dress appears to be a classic shirt dress at first glance, but it has a unique collar opening detail that creates a pleat from the front neckline.

A single button is cleverly used to close both sides of the neckline opening. The sleeves and a back yoke and pleat continue the shirt-like vibe of the dress.

I used a lightweight shirting cotton for the dress, which my son tells me makes it look like a hospital gown. Now he's said that I am tending to agree. I may decide to convert this one into a top and try a dress in a different fabric. 

Thank you to Carolyn and Cassie for the opportunity to test their unique and lovely first pattern. I look forward to seeing what they come up with next.

Named Anni Building Block Pattern

I haven't had much time for sewing or blogging lately. Life has been complicated and time has been short. However, I was thrilled to have the opportunity to pattern test the newest Named Anni pattern. This was a special pattern released in celebration of Named's 5th anniversary. It includes pieces to make a huge variety of styles including a dress, jumpsuit and playsuit, each with multiple bodice, neckline and sleeve options.

With it being winter here in Perth, I went for a long sleeved dress with bell cuffs. Although I usually go for lower necklines, I couldn't resist making the diamond cut-out neckline and I was not disappointed. The construction is really cool and not too difficult (just be as precise as possible) and the result is lovely. The picture below has been lightened to try to show the seamlines. You might just be able to see the inset piece above the V neckline that creates the diamond.

The dress is made from a wool blend fabric that I got free in a warehouse smash and grab earlier this year. A local clothing manufacturer, Morris and Co., had shut up shop in the 80s and the warehouse hadn't been touched since. Just before renovations commenced this year, a few sewing ladies were allowed in to take what we wanted. It was a quite amazing (and dusty) array of fabrics, zips, industrial sewing machines and equipment, school and nursing uniforms, hats etc. I got a few handfuls of zips and buttons and a bit of fabric, including a massive roll of this black wool, which just about killed me as I struggled out of there and back to the car park!

The fabric was easy to work with and I love how the dress turned out. The style is elegant and flattering and it fits like a glove. The only issue I have is that the zip at the back is difficult to do up on my own. This is fine for the dress, but I'm not sure how I would manage in the bathroom if I'd made the jumpsuit!

 

This is a lovely pattern and I highly recommend it. It has unique details and the proportions are spot on. The number of options is also quite amazing, making this pattern excellent value for money. I am very keen to try a few more of the styles...when I have time!

 

Designing fabric with Spoonflower for a Jalie Charlie Bomber Jacket

I was rather thrilled to be contacted by Spoonflower recently and invited to have some fabric printed for a project of my choice. Spoonflower have a massive library of designs to choose from, or you can upload your own design for a completely unique print. 

***DISCOUNT: If you are interested in having fabric, wallpaper or giftwrap printed for your own project, you can get a 10% discount on the Spoonflower website for the next month using the code meggipeg10. The design I created for this jacket can be found here***

I immediately thought I'd like to use my Mum's artwork as the basis for the fabric design. Mum paints a lot of landscapes with a sea of flowers in the foreground. I decided to use just the flowers as the basis for the design and to make a jacket. I chose a painting with lots of blue, khaki and white so it would be wearable with lots of colours of pants and skirts.

I selected an area of flowers and photographed that part of the painting in high resolution using the close-up setting on my camera. I then used that photo to create a repeating pattern with the larger flowers at the top and bottom of the fabric, transitioning to smaller flowers in the middle. If you would like to use this print, you can find it here. I have only just set this up for sharing, so I hope it works. I had the fabric printed on Organic Cotton Sateen Ultra (see fabric types here), which is just a lovely fabric. I prewashed it before making the jacket and the colours held up beautifully.

My design as it would appear on one yard of fabric

The pattern I used was the Jalie Charlie Bomber Jacket. I have made this before in adult and child's sizes and it's a brilliant pattern.   

I added about 4cm to the length, but otherwise chose the size based on my measurements. My tip for the jacket would be that the pocket fabric will show on the outside of the jacket as the welts are cleverly formed from the pocket piece, so it's best not to use lining fabric for the pocket! I chose to use some striped ponte to match the cuffs, neckline and hem band. I love the classic look of striped ribbing on bomber jackets, but it's hard to find and this ponte does the trick just fine.

I decided to line the jacket. The pattern is unlined, but I just used the front, back and sleeve pieces to make the lining and I drew a front facing piece that was cut from the main fabric. I lined the jacket with white cotton that I had dyed blue to match the outer colours. I bagged the lining for a clean finish. There are lots of online tutorials for this.

I used a nice black and silver zip with a fancy pull from Homecraft Textiles to finish it off.

I was very pleased with the print quality and the way the design worked out. I was easily able to cut the pieces so the larger flowers were at the bottom of the jacket. I deliberately made the sleeves slightly different for a more random effect.

I could not be happier with this jacket. I love the print (thanks Mum!) and the colours will make it such a useful piece of clothing. The Jalie pattern is also very comfortable and easy to wear.

Thank you so much to Spoonflower for providing the fabric. This has been a super-fun opportunity and has definitely got my creative juices flowing to create more designs.

Don't forget to use meggipeg10 for a discount if you order from Spoonflower!

Alabama Chanin inspired t-shirt

Last year, before our epic family road trip to the outback of Western Australia, I was looking for projects that I could take in the car to pass the time. Scrolling through the Alabama Chanin website, I came across a t-shirt with hand-beaded text on the front.

Alabama Chanin tee from their website

I decided to make my own version using the free Plantain tee pattern and the word 'Create'. I cut out the pattern from some blue knit fabric and stencilled the word across the front using a handmade stencil, silver acrylic paint and a sponge brush. Then I gathered together some beads, sequins, needles and thread and stuffed everything in a bag for the trip.

I'm not brilliant at looking down while I'm in the car as it makes me car sick, not to mention wanting to keep an eye out for kangaroos etc on the road, but I did manage to get a bit of beading done while we were travelling. After the trip, I carried on over the school holidays at the local theme park.

Finally it was done. I stitched the pattern pieces together by hand and embroidered a decorative stitch down the side seams, shoulder seam and on the neck binding using navy or pink embroidery thread.

Some close-ups:

I love this t-shirt with it's rustic, handmade look and added blingy beads. I wish I had more time to make all the Alabama Chanin things. I love them all!

I'm also wearing my Sasha trousers in these pictures.